Conservation in a sacred context: Bethany Goodman's 2021 placement at Pothi Seva
This summer, I had the opportunity to undertake a work placement at Pothi Seva, under the tutelage of Jasdip Singh Dhillon and Sukhraj...
Conservation in a sacred context: Bethany Goodman's 2021 placement at Pothi Seva
The Alchemy of Colour in the Gurmukhi Tradition I: Laal (Red)
Stone Lithography: Part Two
The Need to Remain Flexible
Care and Conservation of Manuscripts 17
The Baba Shaam Singh Scholarship
‘Blessed is that paper’: The Dhan Su Kagad project in Amritsar
Stone Lithography: Part One
Dhurries and Endbands
Damdama Sahib as a centre for the creation of Gurmukhi manuscripts
Conservation of a Bhagat Bani Pothi (1908)